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Abby Rabinovitz's Flute Story |
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Fusing Her Jewish Roots with the Sounds of the World
Paula: What are your musical influences?
Abby: North Indian classical music is a very strong influence as well as
klezmer music. I've lived in India twice (on different grants) and studied
with two great North Indian artists, foremost North Indian flutist Pandit
Hariprasad Chaurasia and renowned vocalist and composer Pandit Balwant Rai
Bhatt. I performed and recorded with the Klezmer Conservatory Band in the
mid eighties. In my compositions and flute playing I explore ways of
bringing these two traditions together. Intuitively, I feel a strong
connection between them, perhaps because of their common Arabic roots.
I grew up studying western classical music. I got the courage to improvise
when I was in my twenties and began studying jazz. Later I came to
understand that there were other paths to improvisation also, that one could
improvise and not necessarily be a jazz musician...at least the way "jazz
musician" is often understood. When I began improvising I thought I would
play standards and learn to solo over lots of chord changes. I still enjoy
playing standards but it's not the central focus of my playing anymore. I do
think that the study of jazz has affected how I improvise and especially how
I develop ideas when I solo. And I still think of myself as a jazz musician,
at least in the broader sense of the word.
I've also played Latin American music, particularly Brazilian music. I was
featured on an album of Haitian music some years ago. I could go on with
other influences but maybe I'd better stop...In this country things are
labeled and categorized and if you can't label it, it's awfully hard to sell
it. After all, what record bin do you put it in?
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